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THE LAST SAMURAI

  Warner Brothers

Theme:  God's Foundational Story

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Insights: 

Mythic Reality

"Myths are first of all stories; stories which confront us with something transcendent and eternal....a means by which the eternal expresses itself in time."1

The movie, The Last Samurai, begins and ends with a myth.  It begins with the myth of how the islands of Japan were formed and concludes with the myth of what happened to Nathan Algren.

The story that lies between these two myths is about the salvation and deliverance of an individual and a nation.  The film must be viewed mythically2 rather than historically, for there are transcendental and eternal truths here that express themselves in a time (1870's), a place (Japan), and a person (Nathan Algren).
 

Bondage

The opening scenes of the movie show both Nathan Algren and the nation of Japan in bondage to a harsh taskmaster.  An alcoholic filled with shame over acts he committed in war, Nathan sells his soul for $500 to his former Colonel.  He is hired to go to Japan to suppress yet another native rebellion; the only job he really seems fit for.  Japan, personified by its Emperor, is in the grasp of the powerful Mr. Omura who, out of personal greed, is selling his nation's soul3 to the "civilized" powers of the West.

Crossing the Sea

As Nathan crosses the sea, he is confronted with a hard truth -- the mirror.  He puts on his uniform with his medal of honor, but all he sees is dishonor and shame.  The uniform is a picture of fallen glory - a picture of a tarnished soul.

Wilderness

The Colonel and Mr. Omura order Nathan and the untrained Japanese peasants to confront the Samurai "rebels" prematurely.  Captured by the Samurai leader, Katsumoto, Nathan is taken to a hidden place in the mountains of Japan. It is here in this "wilderness" that a whole new identity is forged for Nathan Algren.

Several things must be said about this time in the wilderness.  First note that it is a season - a season of winter4.  It is an ancient and holy place - this mountain "of the Lord".  It is where transformation takes place; Nathan's body, soul, and spirit are changed by what happens to him here.  His physical body is healed and delivered from alcohol.  It is trained and disciplined by the way of the sword5.  His soul is redeemed by a kind of love, kindness, and forgiveness that he has never known. His spirit finally finds peace and is restored to God.

Testing

The wilderness experience requires a testing to see if the transformation from self to servant has been accomplished. Nathan is set free in Tokyo by Katsumoto, and he has a choice to make.  Will he go back to listening to the accusing voice of the Colonel and his old ways of drinking and prostituting himself or will he chose to be a servant and sacrifice himself for others as he has learned from the Samurai.

Destiny

Nathan's choice is really no choice at all.  What he does flows from who he has become.  The uniform of faded glory has been replaced with a warrior's armor.  He has received a sword inscribed with his new identity, "The warrior in whom the old ways have joined the new".  He no longer fights for money, but for righteousness.  His destiny is revealed, not dictated by corruption.


Victory

The transformation of the individual, Nathan Algren, has great significance for the nation of Japan.  He is the one destined to present Katsumoto's sword to the Emperor and to remind him of the cause for which the Samurai sacrificed his life. Strengthened by the warrior's sword, the Emperor overcomes Omura, making Japan a nation independent of the dominion of others.

God's Foundation Story

The myth of The Last Samurai is based on eternal truth....God's Foundational Story - God's Story of Redemption.  The Book of Exodus is an illustration of God's saving work.  The Savior God redeems His chosen people from their bondage to the power of evil.  The Divine Warrior6 judges those powers and claims His people as the sons of His Firstborn. They are to become a holy nation of priests (warrior priests)7 among whom He dwells by His Spirit. This was true in the Book of Exodus8 and in the First and Second Comings of the Lord Jesus Christ9.

There are veiled similarities to all three of these events in the movie.  Japan in its captivity to the Western Powers is similar to Israel under Egyptian and Roman dominion. On Katsumoto's first trip to Tokyo, he  comes with a few disciples and as a suffering servant. He is accused of rebellion and "tried" before a corrupt council controlled by a leader in league with the enemy (Luke 23:13-24). He is sentenced to death, but saved by the sacrificial death of his son.  When he returns the second time, he comes as a judging warrior on a white horse leading an army of righteous soldiers; at the end of the battle every knee bows and worships before him (Revelation 19:11-16, Philippians 2:10-11).  Suffering Servant and Divine Warrior - these are the veiled pictures of the First and Second Comings of the Lord Jesus Christ.

Notes:
1.  Quote by Rolland Hein from Waking the Dead by John Eldredge.
2. Mythically is used here in this sense: "A broad inclusive term to mean those stories which bring us a glimpse of the eternal or any story that awakens your heart to the deep truths of life". Waking the Dead by John Eldredge
3.  Simon Graham says the ancient and the modern are in a war for the soul of Japan.
4.  Nathan has no knowledge of what day it is, only the season.  Notice how the seasons are used in this film: late Summer/Fall - Nathan's fallen state; Winter - Nathan hidden in the mountains/new work of life in him; Spring - Nathan's and Japans' rebirth; Summer - Nathan's return to the mountain garden.
5.  The sword is a metaphor for the soul in this film.  Note how Algren must be totally broken (the rain scene with Uijo) before he can be transformed. 
6.  The Divine Warrior image does not originate with the Samurai.  It is a Biblical concept that runs throughout the entire Bible from the Book of Exodus where God as a great Warrior delivers Israel from Egypt (Exodus 15:3) to the Book of Revelation where Christ returns in His Second Coming (Revelation 19:11-16).
7.  The concept of warrior priests also originates in the Old Testament.  One of the chief duties of the Israelite priests was to guard the Tabernacle or Temple of God through the threat of arms.  Any who transgressed the manifest holiness of God's presence were to to be slain. Dictionary of Biblical Imagery, pg 663
8.  "Concerning identity, the Exodus is that moment in which God forged Israel as His people (Exodus 19:5); a kingdom of priests and a nation independent of the dominion and rule of other nations." Dictionary of Biblical Imagery, pg 254
9.  There are many similarities between the Exodus event and the First and Second Coming of the Lord Jesus Christ.                                     

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